He’s prolific and complicated, an influential American composer, a genius whose distinctive style of creating melodic patterns of diatonic harmonies transfers from the operatic to symphonic, from concertos to film scores. Critics over the decades have disliked his repetitive sequences of notes or his assaulting experimentation. He cares not, for his art is an expression that cannot be harnessed or altered to suit the fancies of others. Here is an informative article about Glass by Tom Service from The Guardian, “A Music Guide to Philip Glass” .
Personally, I like his piano etudes, his Violin Concerto no. 1, his String Quartet no. 3 “Mishima” and most of all, his film scores. Another interesting way of exploring Philip Glass is by watching the 2007 documentary by Scott Hicks, Glass: A Portrait of Philip in Twelve Parts.
Michael Cunningham’s Pulitzer winner is an excellent book, but this is a rare…
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